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<?xml-stylesheet type="text/xsl" href="http://community.imaginefx.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Composition</title><link>http://community.imaginefx.com/forums/44/ShowForum.aspx</link><description>Got a new take on the rules of composition? Having problems? Share here…</description><dc:language>en</dc:language><generator>CommunityServer 2.1 (Debug Build: 60809.935)</generator><item><title>Mastering Composition</title><link>http://community.imaginefx.com/forums/thread/111955.aspx</link><pubDate>Wed, 11 Jun 2008 14:33:02 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:111955</guid><dc:creator>djkitt</dc:creator><slash:comments>17</slash:comments><comments>http://community.imaginefx.com/forums/thread/111955.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=111955</wfw:commentRss><description>&lt;p&gt;I&amp;#39;m currently reading a book called:&lt;/p&gt;&lt;p&gt; Mastering Composition - techniques and principles to dramatically improve your paintings.&amp;nbsp; by Ian Roberts.&amp;nbsp; &lt;/p&gt;&lt;p&gt;Northern Light Books &amp;nbsp; &lt;/p&gt;&lt;p&gt;ISBN-13:
		&lt;a class="isbn-a"&gt;9781581809244&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;img height="240" src="http://images.barnesandnoble.com/images/23320000/23321658.JPG" width="185" /&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is a great book for anyone looking to improve their composition skills.&amp;nbsp; I&amp;#39;ve learned a lot from it so far.&amp;nbsp; There are great exercises in it that are recommenced to do everyday, just like music practice, that help you to understand composition, both as a whole and in shapes and values. The book breaks the mastery of painting into component parts so that you practice in the most effective ways.&amp;nbsp; I highly recommend this book to anyone who thinks (or doesn&amp;#39;t think) their composition skills need work (like myself), or for anyone who doesn&amp;#39;t understand it&amp;#39;s importance in painting.&amp;nbsp; This book is not just for beginners but for seasoned painters as well as Mr Roberts gets into some complicated stuff.&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description></item><item><title>Enviromental 01 : Composition &amp; Perspective [Open Class]</title><link>http://community.imaginefx.com/forums/thread/120493.aspx</link><pubDate>Fri, 18 Jul 2008 12:17:22 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:120493</guid><dc:creator>koshime</dc:creator><slash:comments>41</slash:comments><comments>http://community.imaginefx.com/forums/thread/120493.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=120493</wfw:commentRss><description>&lt;p&gt;Hi Folks,&lt;/p&gt;&lt;p&gt;Over the course of a year, I hope to help share and build upon my existing skills as a &lt;strong&gt;Enviromental &amp;amp; Transport&lt;/strong&gt; artist by helping direct monthly based topics.&lt;/p&gt;&lt;p&gt;Each segment will be run for 1-2 months, depending on participation and complexity. The classes will be FORUM run and self-directed. &lt;/p&gt;&lt;p&gt;&lt;strong&gt;HOUSE RULES&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;What this means is:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Each individual will form their own curriculum&lt;br /&gt;&lt;/li&gt;&lt;li&gt;Each participant will search, gather and share their understanding of the topics&lt;/li&gt;&lt;li&gt;The class will the review, discuss and apply the lessons of these topics within an &lt;strong&gt;APPLIED&lt;/strong&gt; lesson&lt;/li&gt;&lt;li&gt;Every participant is free to provide input, feedback and critique to one another.&lt;/li&gt;&lt;li&gt;Please respect and listen to one another&amp;#39;s opinion. Yo do not have to agree to it, but allow each person to say their peace&lt;br /&gt;&lt;/li&gt;&lt;li&gt;FLAMING will not be tolerated, and if a discussion becomes heated, the said participants will be asked to kindly carry that discussion elsewhere &lt;br /&gt;&lt;/li&gt;&lt;li&gt;That said, let us begin&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;p&gt;&lt;strong&gt;Suggested Curricula:&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Basics: Perspective in greyscale ONLY&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;font color="#99cccc"&gt;&lt;strong&gt;Week 1 - Perspective examples, and theory&lt;/strong&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;font color="#339900"&gt;Week 2 - Perspective exercises and feedback&lt;/font&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;font color="#339900"&gt;Week 3 - Applied perspective to a theme (eg. historical landscape)&lt;/font&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Week 4 - Feedback and Paintovers&lt;/p&gt;&lt;p&gt;Week 5-&amp;nbsp;&amp;nbsp; recap&lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Week 6 -&amp;nbsp; Composition examples and theory&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Week 7 -&amp;nbsp; Composition exercises&lt;/p&gt;&lt;p&gt;Week 8 -&amp;nbsp; Applied Composition to a theme (eg. fantasy and sci fi themes)&lt;/p&gt;&lt;p&gt;Week 9 -&amp;nbsp; Feedback and Paintovers&lt;/p&gt;&lt;p&gt;Week 10 - Recap &lt;br /&gt;&lt;/p&gt;</description></item><item><title>VP missplaced?</title><link>http://community.imaginefx.com/forums/thread/129918.aspx</link><pubDate>Thu, 28 Aug 2008 16:21:26 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:129918</guid><dc:creator>freiheit</dc:creator><slash:comments>2</slash:comments><comments>http://community.imaginefx.com/forums/thread/129918.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=129918</wfw:commentRss><description>&lt;p&gt;After going through Fen Zhu&amp;#39;s wonderful shot design for environement video tut, I finaly lauched myself in the making of an illustration with strong background. It said placing one of two vanishing point with in the picture added more punch to it, but I got as a critic over at conceptart.org that I should have done that and that it&amp;#39;s not working\wierd\a perspective mistake. I&amp;#39;d like a second opinion on this, fist because I suck at background and wouldn&amp;#39;t know better, and second because I think it looks just fine :(&lt;/p&gt;&lt;p&gt;&lt;img src="http://i3.photobucket.com/albums/y72/inkdrop/WIP/soldierboy-WIP04.jpg" border="0" /&gt;&lt;/p&gt;&lt;p&gt;what do you guys think? and if it is fuggly...is there a way I could ease my mistake with out restarting the whole thing?&lt;/p&gt;</description></item><item><title>Enviroment &amp; Props - Discussion</title><link>http://community.imaginefx.com/forums/thread/120495.aspx</link><pubDate>Fri, 18 Jul 2008 12:24:28 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:120495</guid><dc:creator>koshime</dc:creator><slash:comments>11</slash:comments><comments>http://community.imaginefx.com/forums/thread/120495.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=120495</wfw:commentRss><description>Feel free to discuss, ask or suggest topics for each class and curricula here&lt;br /&gt;</description></item><item><title>Landscape Composition Guidelines</title><link>http://community.imaginefx.com/forums/thread/39882.aspx</link><pubDate>Sat, 30 Jun 2007 16:05:15 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:39882</guid><dc:creator>Baron Impossible</dc:creator><slash:comments>8</slash:comments><comments>http://community.imaginefx.com/forums/thread/39882.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=39882</wfw:commentRss><description>&lt;p&gt;If you haven&amp;#39;t already, you may want to check out these landscape composition guidelines by&lt;font face="Verdana,Arial" size="2"&gt;&lt;font face="Verdana,Arial" size="2"&gt; Johannes Vloothuis ~&lt;/font&gt;&lt;/font&gt; &lt;/p&gt;&lt;p&gt;&lt;a href="http://www.wetcanvas.com/Articles2/135/120/" title="Composition Guidelines" target="_blank"&gt;Composition Guidelines&lt;/a&gt;&lt;/p&gt;</description></item><item><title>excitement!</title><link>http://community.imaginefx.com/forums/thread/23307.aspx</link><pubDate>Mon, 19 Mar 2007 22:42:24 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:23307</guid><dc:creator>NeMz</dc:creator><slash:comments>5</slash:comments><comments>http://community.imaginefx.com/forums/thread/23307.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=23307</wfw:commentRss><description>if anyone has any tips that could help me add some excitement into my character designs i would be greatful. all of my characters seem static, like they are posing for a photo and i would like them to have some more dramatic effect. my email is &lt;a href="mailto:dannycashman@btpenworld"&gt;dannycashman@btpenworld&lt;/a&gt; if you would rather email me surgestions, and if u r intressed in seeing any of my characters ill send you them as i have not digitaly painted any of them as i am not happy with&amp;nbsp; the picture. thanks :) </description></item><item><title>Vanishing point!?</title><link>http://community.imaginefx.com/forums/thread/8961.aspx</link><pubDate>Wed, 03 Jan 2007 13:24:47 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:8961</guid><dc:creator>Phreak</dc:creator><slash:comments>14</slash:comments><comments>http://community.imaginefx.com/forums/thread/8961.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=8961</wfw:commentRss><description>&lt;p&gt;Anyone got tips/secrets to share on how to implement single/multiple vanishing points in work? I think that&amp;#39;s why I usually slack off on backgrounds/background angles.....&lt;/p&gt;&lt;p&gt;Hints? Comments? Thanks!&lt;/p&gt;</description></item><item><title>Top 10 Tips for Painting A Composition</title><link>http://community.imaginefx.com/forums/thread/2458.aspx</link><pubDate>Tue, 07 Nov 2006 20:52:02 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:2458</guid><dc:creator>fabledgoat</dc:creator><slash:comments>3</slash:comments><comments>http://community.imaginefx.com/forums/thread/2458.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=2458</wfw:commentRss><description>&lt;p&gt;Since no-ones posted anything here yet I thought I&amp;#39;d search the internet and see if I could find a good set of tips on compositional renderings. Something simple and easy to follow for beginners and experts alike. &lt;/p&gt;&lt;p&gt;So here&amp;#39;s a good top 10 list of things to think about when creating a painting:&lt;/p&gt;&lt;p&gt;&lt;a href="http://painting.about.com/od/paintingtipscomposition/a/10TipsCompositn.htm" title="Top 10 Tips for Painting a Compostion" target="_blank"&gt;Top 10 Tips for Painting A Composition&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Hope this helps some people out!&lt;br /&gt;&lt;/p&gt;</description></item><item><title>down boy, stay there, no down, now stay...stay!</title><link>http://community.imaginefx.com/forums/thread/4997.aspx</link><pubDate>Wed, 29 Nov 2006 11:12:39 GMT</pubDate><guid isPermaLink="false">df5b595d-dbc8-40f3-a578-500f88c831a0:4997</guid><dc:creator>BlackWolfMan</dc:creator><slash:comments>9</slash:comments><comments>http://community.imaginefx.com/forums/thread/4997.aspx</comments><wfw:commentRss>http://community.imaginefx.com/forums/commentrss.aspx?SectionID=44&amp;PostID=4997</wfw:commentRss><description>I have a picture i made of&amp;nbsp;four figures. Two of them standing way back in the room and another is laying down. One is close and he is bigger. Now my problem is the perspective. I have made all three of standing figures right, but the one that is down on the floor doesnt fit in the perspective. I made the porpotions correctly but he is still looks of. Does anyone know how to paint laying figures and make them look right with the perspective?</description></item></channel></rss>