Since the last post about this picture was mostly full of my scribbles, or to make it sound more professional, "concept sketches", I've decided to make a new post to write about the actual "rendering" of the piece.
Monday, 7 May - 21:00
I took some advice from the wonderful Marta Dahlig in an IFX workshop about painting eyes, and stared at myself for some time as well as studying some pictures of eyes. I finally managed to paint some really good eyes, those tips Marta Dahlig gives about the eyeshadow and making lashes longer and reflected light etc, they're wonderful! They brought my eyes out from muddy flat boring things to looking like they were actually wet, 3D eyes! The problem is, she still looks a little retarded because the eyes are too far apart and they still don't look like they're both looking the same direction:

(if it's pixelly it's because it didn't fit and I had to resize it, it's a little bigger here)
But I'm still really really proud of how well they came out (remember this is my first painting!!!!) and even my dad didn't believe me that I made them myself. I know why I don't like her expression, as I mentioned before it's too tight, but also in my concept sketch I had her eyes half closed and not so wide-eyed and innocent, and also the angles of her face were a lot more... well, angular. I think softening the lines and giving her such big eyes has lost some of the feeling of the original sketch, that sort of bitterness at a world gone cruel, but I think the new look also gives her this innocent sort of oh-no-the-world's-gone-cruel-I-might-cry thing going on. I dunno, what do you think?
Monday, 7 May - 23:00
My mum told me the reason she looked so suprised was because I'd made the lower lid droop in the middle instead of making it go straight across then up, so I deleted the lower lashes and smudge-tooled the lower rim to be a bit higher, which I think helped. I also gave her more voluminous upper lashes. I added the hair using John Kearney's brilliant workshop in issue 10 but I couldn't add very much depth, I think it's because she has dark hair. I dodged a little on the lower lip to see if it would make it seem more "real" - it didn't. I dunno what to do about that. I started working on the neck area but I have NO IDEA how to draw that!!! The amount of erasing and smudging and repainting that's gone on, and it still doesn't look anything like a neck area. I need help!!!

I was going to start adding the pattern I got off some Japanese paper to her hood until I realised I had no idea how. I followed the Q&A in my latest issue (I think it was February?) but I just managed to make it look like a cartoon so I think I might end up making her hood have a very basic hand-drawn pattern, and if I still can't pull it off I'll just make it a solid colour, but in one that stands out from the rest of the scene so I still get that out-of-place effect.
Tuesday 8 May, 15:00ish
Wow!!! The people on the IFX forums are sooooo helpful! I really wasn't expecting any answers to my question especially since it was so LONG but I got so many replies and pieces of advice, so amazing!! So I tried messing around with her eyes some more and I just can't seem to get anything right!! Then I decided to look at what I'm calling my "concept sketch" for lack of a better name and realised what gave her the attitude was the dark, semi-closed eyes. So I tried editing the eyes she already had to fit that look and then I replaced the eyeshadow with thick mascara and eyeliner (I had to put some eyeliner on myself to see how to do it!!) but even though the right eye looked okay, I just could not make the left eye match it no matter how hard I tried, even when I flipped the image and tried doing it from the other side.

Pretty messed up huh?
Tuedsay 8 May, 21:30
Well I'm one of those people with hardly any attention span and if something's taking too long I quickly become bored and lose interest. I was hoping that wouldn't happen with this picture but really I think I took a very deep dive for my first painting! So, like most people who have what I have, I found my mind wandering and not paying much attention to what I was doing and I was already doodling concepts for a new piece with the one hand while I tried to fix things up with the other (not a very good idea because both of them come out badly!!) So I just reverted back to the wide-eyed suprised version, roughly coloured her clothes and dodge&burned them, then added a not-very-interesting background by dragging some custom brushes around.
"Finished" Pic: http://s203.photobucket.com/albums/aa282/chenyunart/blossom/fullsize.jpg
I still have the original sketch and two different PSD files of different stages though so I might come back to it later. I guess I just have way too much on my mind right now, also I'm still excited about all these new hardware and software to play with so I more want to just doodle with the different brushes and effects than sit down and commit to a painting. Oh well, like everything else, it was a learning experience, and I enjoyed it!! And I've learnt that the people here on IFX are waaaay more friendly and helpful than I imagined (I didn't think you were mean or anything, I just figured that you're all so good at art that you wouldn't want to waste your time helping someone like me!)
And even though it wasn't in the right place on her face (and I couldn't make the eyeshadow look powdery enough, and I didn't draw a proper eyebrow, and there's an unblended bit of blue on the corner, and the veins layer isn't on the right mode, and......
), I'm still really proud of her left eye because the actual eye itself (sans makeup and eyebrow) looks so good even my dad didn't believe that I drew it so I saved a close up from the original resolution 

And that's the end of my Blossom picture...... or is it??? hehe
Wednesday, 9 May - 03:00
So I couldn't sleep and I wanted to play on the computer but I didn't want to start a new picture at this time of night so I went back to blossom. Looking back through the various WiP pictures I saved (whoever suggested that as a tip in their IFX interview - thankyou! It's helped me work things out so much easier) I realised that although the "new eyes" were shoddy, badly placed and realistically nowhere near the level of the original eyes, they still gave it a better mood. They're a bit cartoony and their proportions and everything are totally nothing like what they'd look like on a real person but if I look at this more from a concept point of view and less from a "I need to make this look realistic" point of view, the new eyes had a better feel to them. I think. I'm still not sure which I like better, but since I couldn't sleep I put them in just so I could compared a "finished" version with the new eyes to the "finished" version with the old eyes.
Earlier in the evening I was going to write a question on the forum asking what to do with the texture files that come on the DVD, and on the WiP forum I was asking how do I add a pattern to the fabric? Well I just went into the Blending Options and chose "Pattern Overlay" then plastic-wrapped it and voila, it suddenly looks like it's actually made of fabric and not just some place-holder brush strokes. I love photoshop!!! Here is the new version:

with a larger version here.
I think I might leave it there, there's not much more I can do unless I decide to continue with my original idea, but that will require time, patience, and a huge background, plus adding a boddy to this bust and all sorts of other things so I might leave that until I'm a little better.
Still, not bad for my first try hey!! Which do you prefer: the old "finished" version or the new "finished" version?


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